Choose a look like organic or modern Choose an aspect ratio and and lenses that cover that format. Choose a cine camera with a big sensor and a high bit rate. Indiewire makes surveys where they ask cinematographers what kind of look they wanted and which cine cameras and lenses they chose to get that …
Choosing a cine camera and cine lenses for a DCP film Read More »
When working with 5.1 sound on DCPs and other deliverables, there are three common ways that 5.1 sound is delivered: Interleaved 5.1 wav file. Quicktime/MXF video file with 5.1 sound or stereo + 5.1 6 mono files. This is how I add these to a 5.1 Track in DaVinci Resolve that can be used to …
Adding 5.1 interleaved wav, 6 mono and 5.1 QT/MXF in Resolve Read More »
The Netflix loudness level The Netflix Sound Mix Specifications & Best Practices was first published in 2018. It is now in version 1.4 and the “Netflix loudness level” is supported in Fairlight in Resolve and in Nugen Vislm 2 plugin in Resolve and Pro Tools. Netflix found that a -27 (+/-2) LKFS dialogue gated loudness …