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Choosing sensor size, resolution, and lenses on cine cameras

July 9, 2022 August 7, 2022

Choosing sensor size, resolution, and lenses When making original 4K content for Netflix, you need to use lenses that fit inside the approved sensor size and resolution made by Netflix for the cine camera you are using. When choosing sensor size, resolution, and lenses to use for cinema, you normally choose between: 1.85 or 2.39 …

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Choosing a cine-camera and lenses for a DCP film

June 21, 2022 August 12, 2022

Choose a look. Choose an aspect ratio and lenses that cover that format. Choose a cine camera with a high bit rate and bit depth. Choosing an aspect ratio Cinemas have two standard settings for aspect ratio: Flat 1.85 and Scope 2.39 There are 4 DCI DCP resolutions used on films in cinemas: 4K Scope …

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Adding 5.1 interleaved wav, 6 mono and 5.1 QT/MXF in Resolve

June 12, 2022 June 13, 2022

When working with 5.1 sound on DCPs and other deliverables, there are three common ways that 5.1 sound is delivered: Interleaved 5.1 wav file. Quicktime/MXF video file with 5.1 sound or stereo + 5.1 6 mono files. This is how I add these to a 5.1 Track in DaVinci Resolve that can be used to …

Adding 5.1 interleaved wav, 6 mono and 5.1 QT/MXF in Resolve Read More »

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