Contact me for a price quote:

Knut Erik Evensen

Encrypted DCP Mastering

Encrypted DCP for delivery to Movie Transit and versioning at DCP labs.

Feature DCP Mastering

Source master can be Prores 422 HQ, TIFF RGB or XYZ DCDM image sequence, and other master video formats. Subtitles can be delivered in SRT and similar formats. Sound can be delivered in 5.1 24 bit 48 kHz mono or interleaved Wav files.  Stereo tracks can be upconverted in Pro tools to 5.1.

SFTP storage

Store DCPs and Prores on an SFTP server

Movie Transit transfer 

Can send encrypted or non-encrypted DCPs via Unique Movie Transit to cinemas in Norway.

Convert films for film festivals.

Convert many stereo/5.1 Prores files to 5.1 DCPs for film festivals. I usually convert 20 films per festival.

Feature film DCP versioning

Versioning on feature films
Accept encrypted DCPs
Accept DKDMs
Can add Logo reels to the start of DCPs
Change subtitles or audio language.
Make supplemental packages

Short film and commercials DCP conversions

Included optional stereo to 5.1 conversion in Pro Tools
Correct loudness for commercials

Prores for streaming

Prores files with 5.1 and stereo for streaming services
Can change loudness to meet specifications like EBU -23

Quality control of DCPs and Prores files

Quality control of DCPs.
Remastering of DCPs

DCP and prores trailer mastering and versioning.

Flat and Scope trailer.
Correct loudness on DCP and Web trailers
Can insert titles and graphics.

Vimeo screeners 

Can upload prores as the original file for better compression
Soft subtitles
Can also do “burn-in” of subtitles, watermark, and text like the name of a person.
Correct loudness for Vimeo
Password-protected links with/without download options.


Convert shooting script to subtitles
Convert to different subtitle specifications (Netflix)
Retiming. Can get subtitles frame accurate on silent movies with title cards.
Conversion from different formats to SRT or interop/SMPTE XML or other formats
Supplemental packages.

Conversion between video file formats

Conversion between common video formats like Prores 4444 to an RGB DPX image sequence. From interlaced SD to progressive HD.

Upload material here:

5 thoughts on “Services

  1. Hi,
    I was reading your website about creating DCP for film festival submission. I really liked how you described in detail the steps to do this.

    I had been considering DIY DCP creating myself but was wondering how much you charge for your services.

    We have a 110 min film (including credits/titles).

    Thanks for your time.

  2. Hi
    I would like to know if it possible to add subtitle to an already made DCI MXF in premiere or after effect without changing it’s color scheme (bypass in easydcp)

    Kind Regards,

  3. It would be easier to use Interop XML subtitles.

  4. Hello, I’ve tried the qube cinema compressor plug in. Actually it all looks great except for the Fades and the vignettes I created in Final cut, they look like solarized on the cinema screen… have you ever encountered the same kind of problem, would you have a suggestion.? Thanks in advance. Best Michael

  5. Sounds like the posterization artifacts you can get if you render a 10 bit source in a 8 bit video codec without using dithering.

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