This is a good resource for info on 5.1 mixes: http://duc.avid.com/showthread.php?t=87830 Often a stereo sound mix for TV uses limiters and compressors and has less dynamics than a theatre mix. This is because it is mixed at 79 dBC per channel instead of 85 dBC per channel.A movie theatre mix is also mixed with 20 […]
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See also: Some best common practice DCP color space workflows part 2 How to make 3D LUTs in Nuke PLE Basics:Color Space (Wikipedia)3D LUT (Wikipedia) “Color and Mastering for Digital Cinema” has some examples of DCP color space workflows: Glenn Kennel says in “Color and Mastering for Digital Cinema” that the standard DCP workflow (in
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The best common practice is to deliver the DCP on a Linux ext3 USB 2/3 compatible hard drive. The Cru Dataport DX-115 hard drive caddy with a USB 2/3 adapter is often used. These hard drive caddies load directly into a lot of digital cinema equipment. Like Dolby/Doremi. I have written tutorials on how to
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