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Info
Knut Erik Sann Evensen (KESE) is a norwegian post production lab/proprietorship established in 2008,
specializing in converting video to the digital cinema format: DCP
using Adobe After Effects, Fraunhofer Easydcp Creator/Player + and Pro Tools.
I have worked for clients in 6 different countries.
In 2012 I converted around 100 films for 4 different film festivals.
Norwegian organization number 993 210 617 MVA
Business Type: DCP Mastering, Film Production & Post Production, Projection.
Contact me:
Knut Erik Evensen
phone: +4793262863
email: knut.erik.evensen@gmail.com
Services
DCP trailers
Converting films to DCPs
Converting video cassettes to DCPs (HDCAM, DIGIBETA)
Packaging and repackaging DCPs with or without subtitles.
Converting subtitles
Timing subtitles
Converting to DVD, Bluray or Prores 422 HQ.
Quality control of DCPs
Repairing DCPs
Projection
Stereo to 5.1 sound converting (DTS neural upmix)
Normalize sound for cinema
Products
Downloadable Filemail DCP zip file (common for trailers)
DCP in big case (common for feature films)
DCP in small case (common for short films)
More info here
Price examples
Converted a short film to DCP, with stereo to 5.1, in a small case, 400 euro.
Hi,
I was reading your website about creating DCP for film festival submission. I really liked how you described in detail the steps to do this.
I had been considering DIY DCP creating myself but was wondering how much you charge for your services.
We have a 110 min film (including credits/titles).
Thanks for your time.
Anne
Hi
I would like to know if it possible to add subtitle to an already made DCI MXF in premiere or after effect without changing it’s color scheme (bypass in easydcp)
Kind Regards,
Karam
It would be easier to use Interop XML subtitles. But I guess it possible to do it in After Effects with color management turned on if you extract the j2c sequence as TIFFs in easydcp player.
Hello, I’ve tried the qube cinema compressor plug in. Actually it all looks great except for the Fades and the vignettes I created in Final cut, they look like solarized on the cinema screen… have you ever encountered the same kind of problem, would you have a suggestion.? Thanks in advance. Best Michael
Sounds like the posterization artifacts you can get if you render a 10 bit source in a 8 bit video codec without using dithering.